Compositing: Guide to Compositing in Movies and Photography

Compositing is the process of combining multiple images to form a single, cohesive image. It's a common visual technique in photography and film. In the early days of film and photography, compositing was done by manually cutting and pasting together photographs or film prints. Today, compositing software makes it possible for digital artists to add and remove elements digitally. Compositing is a technique used in both fine art and graphic design. The more old-fashioned method is to cut, rearrange, and layer elements from different photographs and then photograph the resulting composite image. Now, you can create layer images digitally with image editing software such as Adobe Photoshop. Through photo manipulation and selection tools, you can cut, resize, or change the opacity of photos. Sometimes the resulting image undergoes retouching, so the final image looks seamless. Compositing in video is a type of [visual effect](https://www.masterclass.com/articles/how-visual-effects-work-in-film), or VFX for short. When compositing video, images from separate sources are added to live-action video footage, and the entire image undergoes color correction to create one cohesive moment. For example, in the *Star Wars* saga, the lightsaber glow was added with compositing, and the fantastical landscapes were computer-generated and added during post-production. Compositing software, such as Houdini or Adobe After Effects, can create these special effects. One of the earliest uses of compositing in cinema was through animation, where animators traced over the movements of live actors to make their animated characters more realistic in a process called rotoscoping. In 3D animation, compositing creates colors and a realistic depth of field for digitally rendered images. There are several techniques for creating composite images. Some common techniques used by digital artists include: 1. __Blue screen or green screen__: When creating visual effects for video, a blue or [green screen](https://www.masterclass.com/articles/what-is-a-green-screen-film-learn-about-the-advantages-and-disadvantages-of-using-a-green-screen-in-film-production-and-5-tips-for-making-a-green-screen-at-home) is a layering tool. In post-production, a process called chroma keying involves removing the color from the blue or green screen, then adding a new image inside that blank space. The new image placed into the green screen can include computer-generated imagery (CGI) and matte paintings. For example, a green screen behind a meteorologist features weather details in real-time. In pre-production , creatives plan which elements to create on set and which to digitally render. 2. __Double exposure__: This technique works for photography and cinematography by combining two images captured using multiple exposures. In photography, this gives the impression that the subject is in multiple places in one photo. In film, double or multiple exposure is when two or more images are superimposed over each other, perhaps to create a ghostly effect or add people to scenes. 3. __Photoshop compositing__: This technique uses the various tools and programs in Adobe Photoshop—such as the brush tool, selection tool, and layer mask—to create a composite photograph. Get a [MasterClass Annual Membership](https://www.masterclass.com) and let David Carson be your personal tutor. The prolific and decorated designer—who’s been lauded as the “ art director of the era”—reveals his processes for going off the (design) grid, implementing typography in new and interesting ways, innovative uses of photography and collage, and so much more. Compositing is a common visual effects technique in film, animation, and photography.