As an author of thrillers and mysteries, [David Baldacci](https://www.masterclass.com/classes/david-baldacci-teaches-mystery-and-thriller-writing) knows the importance of taut, efficient prose. Substantive editing plays a big part in transforming his first drafts into writing that rises to the level his readers expect. Here are some of [David’s best editing tips](https://www.masterclass.com/articles/david-baldaccis-writing-tips):

1. __Edit while you work__. David does a twofold editing process: The first edit happens while he is writing his novel. He continually goes back to look over his earlier chapters— particularly the first ones—to polish and adjust his work.
2. __Wait until you’ve finished a draft to do a substantial edit__. David’s second, more substantial, edit happens when he’s done with the entire manuscript. He moves chapters around, cuts and adds scenes, [and deepens his characters](https://www.masterclass.com/articles/how-to-develop-fictional-characters).
3. __Stay flexible__. Approach your big edit with an open mind and honest perspective. You may find you have to eliminate a character, a whole subplot, or even change elements of your main storyline. As you read the whole book at once, new insights will come to you. Trust yourself, try not to be too precious about your work, and [be willing to kill your darlings](https://www.masterclass.com/articles/what-does-it-mean-to-kill-your-darlings) (even if that means doing away with a favorite action scene or a character you love).
4. __Work line by line__. After you’ve got the draft into the shape that you want it, take a closer look at the language on a line-by-line basis. This is called a line edit. In addition to catching typos and spelling errors, line editing can usually get rid of at least 10 percent of your writing by simply trimming your sentences and ditching unnecessary words. Pay special attention [to passive voice and switch it for the active voice](https://www.masterclass.com/articles/guide-to-active-vs-passive-voice) to make your writing more efficient. 
5. __Think in terms of chapters__. Ask yourself, “What did I accomplish in this chapter?” Write a short answer for each chapter and create an outline-type overview of the whole novel. This is a good place to notice if a chapter is too busy (maybe it’s trying to do too many things at once and needs to be broken up) or too dull (in which case it may need to be cut, or shortened, or mixed into another chapter). Doing an edit like this will help you control the pacing of your story. And don’t forget: Some chapters exist to set up the following chapters, which in itself is a valid objective.
6. __Come back with fresh eyes__. Once you’re done with your edit, take a break. Put the manuscript on a shelf for a few weeks or months. When you return to it, you’ll bring a fresh perspective to the editing process that will help you enormously in any future editing.
7. __Don’t overdo it__. A great editor doesn’t try to make everything perfect. Over-editing your novel can crush your original inspiration and damage the good work you’ve done.

Become a better writer with the [Masterclass Annual Membership](https://www.masterclass.com/). Gain access to exclusive video lessons taught by literary masters, including David Baldacci, Neil Gaiman, Joyce Carol Oates, Dan Brown, Margaret Atwood, David Sedaris, and more.
Writers must master the art of self-editing, whether they are working with a dedicated editing team at a major publishing house, hiring a freelance editor, or publishing their own writing. Over a long and distinguished career, David Baldacci has developed a valuable collection of editing tips, which he shares here.

Writers must master the art of self-editing, whether they are working with a dedicated editing team at a major publishing house, hiring a freelance editor, or publishing their own writing. Over a long and distinguished career, David Baldacci has developed a valuable collection of editing tips, which he shares here.

David Baldacci’s 7 Tips for Editing Your Writing

As an author of thrillers and mysteries, <a href='https://www.masterclass.com/classes/david-baldacci-teaches-mystery-and-thriller-writing' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/classes/david-baldacci-teaches-mystery-and-thriller-writing","linkCopy":"David Baldacci","category":null}'>David Baldacci</a> knows the importance of taut, efficient prose. Substantive editing plays a big part in transforming his first drafts into writing that rises to the level his readers expect. Here are some of <a href='https://www.masterclass.com/articles/david-baldaccis-writing-tips' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/david-baldaccis-writing-tips","linkCopy":"David’s best editing tips","category":null}'>David’s best editing tips</a>:<ol class="mc-m-4"><li class="mc-my-4"> 1. Edit while you work. David does a twofold editing process: The first edit happens while he is writing his novel. He continually goes back to look over his earlier chapters— particularly the first ones—to polish and adjust his work. </li><li class="mc-my-4"> 2. Wait until you’ve finished a draft to do a substantial edit. David’s second, more substantial, edit happens when he’s done with the entire manuscript. He moves chapters around, cuts and adds scenes, <a href='https://www.masterclass.com/articles/how-to-develop-fictional-characters' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/how-to-develop-fictional-characters","linkCopy":"and deepens his characters","category":null}'>and deepens his characters</a>. </li><li class="mc-my-4"> 3. Stay flexible. Approach your big edit with an open mind and honest perspective. You may find you have to eliminate a character, a whole subplot, or even change elements of your main storyline. As you read the whole book at once, new insights will come to you. Trust yourself, try not to be too precious about your work, and <a href='https://www.masterclass.com/articles/what-does-it-mean-to-kill-your-darlings' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/what-does-it-mean-to-kill-your-darlings","linkCopy":"be willing to kill your darlings","category":null}'>be willing to kill your darlings</a> (even if that means doing away with a favorite action scene or a character you love). </li><li class="mc-my-4"> 4. Work line by line. After you’ve got the draft into the shape that you want it, take a closer look at the language on a line-by-line basis. This is called a line edit. In addition to catching typos and spelling errors, line editing can usually get rid of at least 10 percent of your writing by simply trimming your sentences and ditching unnecessary words. Pay special attention <a href='https://www.masterclass.com/articles/guide-to-active-vs-passive-voice' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/guide-to-active-vs-passive-voice","linkCopy":"to passive voice and switch it for the active voice","category":null}'>to passive voice and switch it for the active voice</a> to make your writing more efficient. </li><li class="mc-my-4"> 5. Think in terms of chapters. Ask yourself, “What did I accomplish in this chapter?” Write a short answer for each chapter and create an outline-type overview of the whole novel. This is a good place to notice if a chapter is too busy (maybe it’s trying to do too many things at once and needs to be broken up) or too dull (in which case it may need to be cut, or shortened, or mixed into another chapter). Doing an edit like this will help you control the pacing of your story. And don’t forget: Some chapters exist to set up the following chapters, which in itself is a valid objective. </li><li class="mc-my-4"> 6. Come back with fresh eyes. Once you’re done with your edit, take a break. Put the manuscript on a shelf for a few weeks or months. When you return to it, you’ll bring a fresh perspective to the editing process that will help you enormously in any future editing. </li><li class="mc-my-4"> 7. Don’t overdo it. A great editor doesn’t try to make everything perfect. Over-editing your novel can crush your original inspiration and damage the good work you’ve done. </li></ol>

David Baldacci’s 7 Editing Techniques

Become a better writer with the <a href='https://www.masterclass.com/' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/","linkCopy":"Masterclass Annual Membership","category":null}'>Masterclass Annual Membership</a>. Gain access to exclusive video lessons taught by literary masters, including David Baldacci, Neil Gaiman, Joyce Carol Oates, Dan Brown, Margaret Atwood, David Sedaris, and more.

Want to Learn More About Writing?

Writers must master the art of self-editing, whether they are working with a dedicated editing team at a major publishing house, hiring a freelance editor, or publishing their own writing. Over a long and distinguished career, David Baldacci has developed a valuable collection of editing tips, which he shares here.

Writers must master the art of self-editing, whether they are working with a dedicated editing team at a major publishing house, hiring a freelance editor, or publishing their own writing. Over a long and distinguished career, David Baldacci has developed a valuable collection of editing tips, which he shares here.
