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A poem is the sum of its parts—words, rhyme scheme, meter. The basic building block of a poem is the foot, a stressed syllable paired with at least one unstressed syllable. One of the more unusual types of poetic foot is the trochee, which is made up of a pair of syllables with a falling rhythm.



What Is a Trochee?

In English poetry, the definition of trochee is a type of metrical foot consisting of two syllables—the first is stressed and the second is an unstressed syllable. In Greek and Latin poetry, a trochee is a long syllable followed by a short syllable. The pattern reads as DUH-duh, as in “LAD-der.” A line of poetry with this type of foot has a trochaic meter. The term “trochee” is from the French trochée and from the Greek phrase trokhaios pous, which means “running foot.”

5 Types of Meter in Poetry

In English verse, the most common types of metrical feet are two syllables and three syllables long. They’re characterized by their particular combination of stressed syllables and unstressed syllables. They include:

  1. Trochee: A trochaic line is pronounced DUH-duh, as in “HIGH-way.”The first syllable is stressed and the second is unstressed. Poems with type of foot are written in trochaic meter.
  2. Iamb: An iambic line is pronounced duh-DUH, as in “in-DEED.” The first syllable is unstressed and the second is stressed. Poems with this type of foot have iambic meters.
  3. Spondee: A spondaic line is pronounced DUH-DUH, as in “RAIN-STORM.” A line of poetry with this type of foot has a spondaic meter.
  4. Dactyl: A dactylic line is pronounced DUH-duh-duh, as in “CER-tain-ly.” A line of poetry with this type of foot has a dactylic meter.
  5. Anapest: An anapestic line is pronounced duh-duh-DUH, as in “contra-DICT.” A line of poetry with this type of foot has an anapestic meter. Anapestic poetry typically divides its stressed syllables across multiple words.

6 Types of Trochaic Meter

The meter of a trochaic line of verse is determined by how many feet the line has. For example:

  1. Trochaic monometer: one trochee
  2. Trochaic dimeter: two trochees
  3. Trochaic trimeter: three trochees
  4. Trochaic tetrameter: four trochees
  5. Trochaic pentameter: five trochees
  6. Trochaic hexameter: six trochees

3 Reasons to Use Trochaic Meter in Poetry

Trochees are less common than other types of metrical feet in poetry, but they have a unique sound and purpose when they are featured in poems. Trochees can be used to great effect for the following reasons:

  1. Trochaic lines flow easily from one to the next. Trochaic meter ends on an unstressed syllable. Without the hard stop at the end of a line that a stressed syllable creates, a trochaic line flows fluidly into the subsequent line.
  2. Trochees introduce an unnatural sound to a poem. Trochee is one of the lesser-used meters in poetry because it is less-natural sounding than iambic meters. Poets sometimes reserve the use of a trochaic line to disrupt the rhythm of a poem and emphasize a point.
  3. Trochees can create a tone of despair. A trochaic meter’s falling rhythm creates a more somber tone and is often used in moments of hopelessness. William Shakespeare switches from iambic pentameter to trochaic pentameter in the final line of this passage from King Lear as Lear mourns the death of his daughter:

And my poor fool is hang'd! No, no, no life!
Why should a dog, a horse, a rat, have life,
and thou no breath at all? Thou'lt come no more,
never, never, never, never, never!