Roy Lichtenstein was an American artist who helped define the pop art genre. Born in Manhattan, New York City, in 1923, Lichtenstein expressed artistic talent at an early age and spent many of his adolescent years in cultural places like the Museum of Modern Art (MoMA) and at concerts. Roy’s comic panel-inspired works launched him into the mainstream. He was lauded for his groundbreaking use of Ben-Day dots in his unique visual style, which parodied pop culture and American mythology. Roy, who passed away in 1997 at the age of 73, created over 5,000 works in his decades-long career and influenced countless artists along the way. His work has been featured in museums worldwide, from the Guggenheim Museum in New York to the National Gallery of Art in Washington, D.C., to the Tate Modern in London. 

As a teen, Roy’s interest lay in comic books and [science fiction](https://www.masterclass.com/articles/tips-for-writing-a-science-fiction-novel), the former of which would influence his most prolific works. Here is a brief overview of his career:

- __Early career__: Shortly after graduating high school, Roy studied at the Art Students League with American painter Reginald Marsh, eventually entering Ohio State University in the College of Education. During this time, he also exhibited some of his work at a cooperative art gallery in Cleveland. Some of his favorite artists were Picasso and Rembrandt. By the 1940s, he began to find his style, taking original images and altering them into parody (much like Picasso himself, who would parody the works of artists like Henri Matisse and George Seurat).
- __Birth of a signature style__: By this time, Abstract Expressionism was prominent in the art world, and the disdain for genre paintings influenced the negative feelings toward commercial art. Lichtenstein capitalized on this negativity, turning hated images into “American mythological subject matter.” He eventually moved to upstate New York and became an assistant professor at the State University of New York at Oswego. He began to experiment more heavily with the comic book style. In 1960, Lichtenstein became an assistant professor at Rutgers University in New Jersey, where he met colleague Allan Kaprow. It was here in the early 1960s where Lichtenstein honed in on his comic-style mode of expression. Lichtenstein also began to branch out beyond this particular aesthetic, sourcing work from Vincent van Gogh and Piet Mondrian, including landscapes and still lifes in his repertoire. 
- __Mainstream success__: Lichtenstein’s paintings became a signature of the pop art movement. At one point, Kaprow brought Lichtenstein’s work to Leo Castelli, director of the Leo Castelli Gallery, a leading dealer in contemporary art. Leo often showcased Lichtenstein’s paintings with other pop artists such as [Andy Warhol](https://www.masterclass.com/articles/andy-warhol-guide), James Rosenquist, [Jasper Johns](https://www.masterclass.com/articles/about-jasper-johns), Robert Rauschenberg, and Claes Oldenburg. Lichtenstein’s work was a near-instant success and would become a significant component of his lasting legacy. Roy passed away in 1997, but his work continues to garner interest and influence a new generation of artists, including Douglas Coupland, Pranava Prakash, Richard Bell, and Eduardo Úrcolo.

Lichtenstein’s work is highly distinct and contains numerous recognizable characteristics: 

1. __Tongue-in-cheek__: Many of Lichtenstein’s notable works are parodies of existing comic strips or comic book panels, with a few changes in details like the color, caption, or subject arrangement. Lichtenstein often infused <a href='https://masterclass.com/articles/how-to-write-dark-humor' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-to-write-dark-humor","linkCopy":"dark humor","category":"automated-link"}' automatic='true'>dark humor</a> into his works, altering the narrative with only a few detail changes. 
2. __Comic colorization__: Lichtenstein used intense, contrasting colors, primary colors, and black and white. He used heavy black outlining to permeate the saturated colors, which enhanced the comic book coloring effect and dramatized the image. 
3. __Ben-Day dots__: Lichtenstein appropriated the Ben-Day dots—a printing and photo-engraving technique that appeared as small circles of color—to give his images an industrial effect or mimic the effect of shading.

Roy Lichtenstein has many seminal works that completely revolutionized the world of pop culture art. Some of Lichtenstein’s most notable art includes: 

1. __*Look Mickey* (1961)__: This oil painting on canvas was a satirical work featuring popular culture cartoon characters Mickey Mouse and Donald Duck taken from *Donald Duck Lost and Found* (1960). In this particular scene, Donald Duck has unknowingly caught his own behind with his fishing hook, as Mickey Mouse looks on with laughter. 
2. __*Whaam!* (1963)__: Sourced from an issue of DC Comics’ *All-American Men of War*, Lichtenstein reconceptualized this comic book image into a diptych painting. The scene features a fighter plane blowing up an enemy plane, with the word “WHAAM!” printed across the explosion. Lichtenstein made a few alterations, enhancing the color and effect of the explosion and changing the text’s original red color to yellow. Part of Lichtenstein’s intention with this painting was to make it seem like “a fake.” 
3. __*Drowning Girl* (1963)__: One of Lichtenstein’s most notable works, this piece was one of many depicting women in emotional or tragic situations. This particular work features a woman, alone, drowning in turbulent waters with the caption, “I don’t care! I’d rather sink than call Brad for help!” The source image depicts a similar scene, except the woman is not alone—her boyfriend is behind her clinging to a capsized boat, and the caption reads, “I don’t care if I have a cramp! I’d rather sink than call Mal for help!” Lichtenstein made these changes to change the viewer’s perception of the boyfriend and alter the scene’s narrative. 
4. __*I Know...Brad* (1964)__: In this pop art painting, Lichtenstein changes the color scheme, contouring, and other details of the featured subject—a lovelorn girl—to satirize the original Ted Galindo comic. The speech bubble says, “I know how you must feel, Brad…”, with its intent to ironically depict the woman’s emotional expression and body language. 

Grab the [MasterClass Annual Membership](https://www.masterclass.com) and plumb the depths of your creativity with the help of modern artist Jeff Koons, abstract artist Futura, and stage designer Es Devlin. Our exclusive video lessons will teach you to do things like utilize color and scale, explore the beauty in everyday objects, and so much more.
Roy Lichtenstein is one of the most innovative and influential artists in American history, forever changing the art world with his iconic pop paintings, prints, and sculptures.

Roy Lichtenstein is one of the most innovative and influential artists in American history, forever changing the art world with his iconic pop paintings, prints, and sculptures. 


Roy Lichtenstein: Explore Roy Lichtenstein’s Life and Artworks

Roy Lichtenstein was an American artist who helped define the pop art genre. Born in Manhattan, New York City, in 1923, Lichtenstein expressed artistic talent at an early age and spent many of his adolescent years in cultural places like the Museum of Modern Art (MoMA) and at concerts. Roy’s comic panel-inspired works launched him into the mainstream. He was lauded for his groundbreaking use of Ben-Day dots in his unique visual style, which parodied pop culture and American mythology. Roy, who passed away in 1997 at the age of 73, created over 5,000 works in his decades-long career and influenced countless artists along the way. His work has been featured in museums worldwide, from the Guggenheim Museum in New York to the National Gallery of Art in Washington, D.C., to the Tate Modern in London.

Who Was Roy Lichtenstein?

As a teen, Roy’s interest lay in comic books and <a href='https://www.masterclass.com/articles/tips-for-writing-a-science-fiction-novel' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/tips-for-writing-a-science-fiction-novel","linkCopy":"science fiction","category":null}'>science fiction</a>, the former of which would influence his most prolific works. Here is a brief overview of his career:<ul class="mc-m-4 list-styled"><li class="">Early career: Shortly after graduating high school, Roy studied at the Art Students League with American painter Reginald Marsh, eventually entering Ohio State University in the College of Education. During this time, he also exhibited some of his work at a cooperative art gallery in Cleveland. Some of his favorite artists were Picasso and Rembrandt. By the 1940s, he began to find his style, taking original images and altering them into parody (much like Picasso himself, who would parody the works of artists like Henri Matisse and George Seurat). </li><li class="">Birth of a signature style: By this time, Abstract Expressionism was prominent in the art world, and the disdain for genre paintings influenced the negative feelings toward commercial art. Lichtenstein capitalized on this negativity, turning hated images into “American mythological subject matter.” He eventually moved to upstate New York and became an assistant professor at the State University of New York at Oswego. He began to experiment more heavily with the comic book style. In 1960, Lichtenstein became an assistant professor at Rutgers University in New Jersey, where he met colleague Allan Kaprow. It was here in the early 1960s where Lichtenstein honed in on his comic-style mode of expression. Lichtenstein also began to branch out beyond this particular aesthetic, sourcing work from Vincent van Gogh and Piet Mondrian, including landscapes and still lifes in his repertoire. </li><li class="">Mainstream success: Lichtenstein’s paintings became a signature of the pop art movement. At one point, Kaprow brought Lichtenstein’s work to Leo Castelli, director of the Leo Castelli Gallery, a leading dealer in contemporary art. Leo often showcased Lichtenstein’s paintings with other pop artists such as <a href='https://www.masterclass.com/articles/andy-warhol-guide' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/andy-warhol-guide","linkCopy":"Andy Warhol","category":null}'>Andy Warhol</a>, James Rosenquist, <a href='https://www.masterclass.com/articles/about-jasper-johns' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com/articles/about-jasper-johns","linkCopy":"Jasper Johns","category":null}'>Jasper Johns</a>, Robert Rauschenberg, and Claes Oldenburg. Lichtenstein’s work was a near-instant success and would become a significant component of his lasting legacy. Roy passed away in 1997, but his work continues to garner interest and influence a new generation of artists, including Douglas Coupland, Pranava Prakash, Richard Bell, and Eduardo Úrcolo. </li></ul>

A Brief History of Roy Lichtenstein’s Career

Lichtenstein’s work is highly distinct and contains numerous recognizable characteristics: <ol class="mc-m-4"><li class="mc-my-4"> 1. Tongue-in-cheek: Many of Lichtenstein’s notable works are parodies of existing comic strips or comic book panels, with a few changes in details like the color, caption, or subject arrangement. Lichtenstein often infused <a href='https://masterclass.com/articles/how-to-write-dark-humor' target='_blank' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://masterclass.com/articles/how-to-write-dark-humor","linkCopy":"dark humor","category":"automated-link"}' automatic='true'>dark humor</a> into his works, altering the narrative with only a few detail changes. </li><li class="mc-my-4"> 2. Comic colorization: Lichtenstein used intense, contrasting colors, primary colors, and black and white. He used heavy black outlining to permeate the saturated colors, which enhanced the comic book coloring effect and dramatized the image. </li><li class="mc-my-4"> 3. Ben-Day dots: Lichtenstein appropriated the Ben-Day dots—a printing and photo-engraving technique that appeared as small circles of color—to give his images an industrial effect or mimic the effect of shading. </li></ol>

3 Characteristics of Roy Lichtenstein’s Art

Roy Lichtenstein has many seminal works that completely revolutionized the world of pop culture art. Some of Lichtenstein’s most notable art includes: <ol class="mc-m-4"><li class="mc-my-4"> 1. Look Mickey (1961): This oil painting on canvas was a satirical work featuring popular culture cartoon characters Mickey Mouse and Donald Duck taken from Donald Duck Lost and Found (1960). In this particular scene, Donald Duck has unknowingly caught his own behind with his fishing hook, as Mickey Mouse looks on with laughter. </li><li class="mc-my-4"> 2. Whaam! (1963): Sourced from an issue of DC Comics’ All-American Men of War, Lichtenstein reconceptualized this comic book image into a diptych painting. The scene features a fighter plane blowing up an enemy plane, with the word “WHAAM!” printed across the explosion. Lichtenstein made a few alterations, enhancing the color and effect of the explosion and changing the text’s original red color to yellow. Part of Lichtenstein’s intention with this painting was to make it seem like “a fake.” </li><li class="mc-my-4"> 3. Drowning Girl (1963): One of Lichtenstein’s most notable works, this piece was one of many depicting women in emotional or tragic situations. This particular work features a woman, alone, drowning in turbulent waters with the caption, “I don’t care! I’d rather sink than call Brad for help!” The source image depicts a similar scene, except the woman is not alone—her boyfriend is behind her clinging to a capsized boat, and the caption reads, “I don’t care if I have a cramp! I’d rather sink than call Mal for help!” Lichtenstein made these changes to change the viewer’s perception of the boyfriend and alter the scene’s narrative. </li><li class="mc-my-4"> 4. I Know...Brad (1964): In this pop art painting, Lichtenstein changes the color scheme, contouring, and other details of the featured subject—a lovelorn girl—to satirize the original Ted Galindo comic. The speech bubble says, “I know how you must feel, Brad…”, with its intent to ironically depict the woman’s emotional expression and body language. </li></ol>

4 Famous Roy Lichtenstein Works of Art

Grab the <a href='https://www.masterclass.com' target='_self' class='mc-text--link' data-mc-segment-trigger='true' data-mc-segment-event-type='Article Page Click' data-event-obj='{"textTag":"p","href":"https://www.masterclass.com","linkCopy":"MasterClass Annual Membership","category":null}'>MasterClass Annual Membership</a> and plumb the depths of your creativity with the help of modern artist Jeff Koons, abstract artist Futura, and stage designer Es Devlin. Our exclusive video lessons will teach you to do things like utilize color and scale, explore the beauty in everyday objects, and so much more.

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Roy Lichtenstein is one of the most innovative and influential artists in American history, forever changing the art world with his iconic pop paintings, prints, and sculptures.