Guide to Afrobeat Music: A Brief History of Afrobeat

Afrobeat is a music genre that fuses African music with Black American influences to produce a compelling hybrid of culture and sound. The genre is largely the creation of Nigerian artist Fela Kuti who, with his band Africa 70, forged a rhythmic mix of West African beats (predominantly Nigerian and Ghanaian) and American jazz, [soul](https://www.masterclass.com/articles/soul-music-guide), and [funk](https://www.masterclass.com/articles/funk-music-guide), which was shot through with a potent streak of political awareness. Kuti’s music lit the fuse for Afrobeat, and the torch was carried forward by a mix of African artists, like Kuti’s former drummer, Tony Allen. In the West, performers Brian Eno and David Byrne from The Talking Heads drew on Afrobeat for their groundbreaking album *Remain in Light* (1980). Listeners can still hear Kuti’s influence in the music of his sons, Femi Kuti and Seun Kuti, and modern Western bands like the Grammy-winning Antibalas. Afrobeat music is frequently labeled as Afrobeats, an umbrella term for a far-ranging music scene from West Africa and the United Kingdom, which incorporates many popular music styles. The two sounds share only a common heritage. The history of Afrobeat began in the early twentieth century when musicians from Ghana combined West African regional music with Western jazz and [calypso](https://www.masterclass.com/articles/calypso-music-guide). The resulting new sound became known as highlife, which continued to fold additional Western influences into its heady mix over the next few decades. - __Kuti and Africa 70 carve out the sound__: Nigerian musician Fela Aníkúlápó-Kuti, who began his career playing in an array of African highlife and jazz bands, absorbed the sounds of soul, jazz, [soca](https://www.masterclass.com/articles/soca-music-guide), and rhythm and blues during various tours of America and the United Kingdom. He then unleashed this formidable creation in his band, Nigeria 70 (later Africa 70), debuting his unique new musical style in the early 1970s. - __Development of the core sound and politics__: With their debut album, *Zombie*, Kuti and Africa 70 established the core sound of Afrobeat, which freely mixed jazz and highlife with the epic funk of James Brown, [reggae](https://www.masterclass.com/articles/reggae-music-guide) and Caribbean rhythm, and psychedelic rock. Kuti sang over tracks in English and Yoruba, leading the band on saxophone, keyboards, and other instruments. He also lent Afrobeat a political side by criticizing the human rights records of Nigeria and the United States on record and in his marathon live performances. - __Continuation under Egypt 80__: Kuti remained a major artist in Africa and abroad until his death in 1997; his son Seun renamed the band Egypt 80 and continued to record and perform, as did Seun’s brother, Femi, who enjoyed a degree of popularity similar to that of his father. - __Afrofunk is born__: The most successful figure from Kuti’s orbit was undoubtedly drummer Tony Allen, who expanded on the Afrobeat sound by mixing in elements of [hip-hop](https://www.masterclass.com/articles/hip-hop-guide), dub, and electronica to form a new subgenre called Afrofunk. Allen enjoyed even wider exposure than his former bandleader through collaborations with Air, Zap Mama, and Damon Albarn of Blur, among others. - __Crossover influence__: The work of Fela Kuti and Allen was the bedrock of Afrobeat, but jazz musicians like Roy Ayers also recorded Afrobeat-inspired music in the 1970s. Ayers toured Nigeria with the elder Kuti in the late ’70s. Contemporary artists like Antibalas and Zongo Junction—both hailing from Brooklyn, New York— have carved careers out of the Afrobeat sound. Mainstream rock and soul bands, like TV on the Radio and the Budos Band, have also recorded songs with an Afrobeat flavor. Several characteristics define the sound of Afrobeat, including: 1. __Large bands__: The Afrobeat recordings of Fela Kuti and sons Femi and Seun typically feature a large orchestra-style band, not unlike James Brown’s JBs or Parliament-Funkadelic. The brass and rhythm section can be sizable: Africa 70 often featured two musicians on bass and two baritone saxophones, while two guitars handled the [melody](https://www.masterclass.com/articles/music-101-what-is-melody). 2. __Political lyrics__: Commentary on African and world politics is a staple of Afrobeat, especially in the music of Fela Kuti and Nigerian musician Lágbájá. Afrobeat music sought to inspire listeners to activism by pointing out societal and governmental issues. 3. __Language and structure__: Afrobeat songs are typically sung in West African languages, though Kuti sang in English and Yoruba. Many Afrobeat songs have time structures and lengths more common to jazz or [fusion](https://www.masterclass.com/articles/jazz-fusion-guide) than pop or rock: Kuti often filled an entire album side with a single song. Here are a few notable artists whose contributions to the genre have helped define it: 1. __Fela Kuti__: The primary architect of Afrobeat, Fela Kuti and his band Africa 70 defined the sprawling scope and relentlessly funky sound of the genre from the early 1960s until his death in 1997. His life and music were the basis for the Tony-winning musical *Fela!* 2. __Femi Kuti__: Like his father, Femi Kuti mixed the hard swing of Afrobeat with political activism for his own celebrated and Grammy-nominated career. He began with Egypt 80 before launching his group, Positive Force, in 1988 and has remained active as a recording and touring artist. Femi has collaborated with numerous Western musicians, including Common, Nile Rodgers, and D’Angelo. 3. __Tony Allen__: Drummer Tony Allen recorded more than 30 albums with Fela Kuti and helped define the hard-driving rhythm of Afrobeat. He recorded numerous solo albums and laid down the beat for The Good, the Bad, & the Queen, a supergroup featuring Damon Albarn, the Clash’s Paul Simonon, and Simon Tong, before his death in 2020. Afrobeat and Afrobeats are predominantly distinct in sound and genre. Afrobeat is a mix of African music and American soul and jazz. On the other hand, Afrobeats, also known as Afropop, is a loose affiliation of popular music that draws on African and Western music, including juju, dancehall, soca, Naija beats, [house](https://www.masterclass.com/articles/house-music-guide), and hiplife, a Ghanian take on hip-hop. Afrobeats artists like Wizkid, Mr. Eazi, D’banj, Burna Boy, and Davido are featured on numerous popular playlists on music streaming platforms. They have influenced or collaborated with Western pop music artists like Beyonce, Drake, and Chris Brown. Become a better musician with the [MasterClass Annual Membership](https://www.masterclass.com). Gain access to exclusive video lessons taught by the world’s best, including Alicia Keys, St. Vincent, Sheila E., Timbaland, Itzhak Perlman, Herbie Hancock, Tom Morello, and more. Afrobeat is a mesmeric blend of West African and Black American music that has inspired throngs of contemporary acts worldwide with its unique rhythms and melodies.